Sunday, February 28, 2010
Scaffolding
Sunday, February 21, 2010
Don't Judge a Book by Its Cover
Another part of my journey this week was realizing that you cannot judge a book by its cover. I took a trip to my local shopping center and toured a few stores to examine the exterior and interiors. Many of the stores I have never been into either because I never felt the need or I was never drawn to it by its outward appearance. When I actually took the time to enter many of these places, I found that the interior was designed much better than the outside or the architecture of the store. I also found interesting items in these stores. Now I realize that in many cases the outside does match the inside, but I realized that in other cases the outside does not match what is on the inside. I learned not to judge the inside by what I see outside. Teachers have to do the same thing with people they meet, especially students. I am reminded of my first day of my internship year. There was a standout child who seemed to talk all of the time and wanted to be in the spotlight. In other words he needed a lot of attention and I assumed he was going to be a trouble maker or at least a handful. What I later realized was that he was a nervous student that wanted to make sure he made a good impression on his new teachers. He ended up being one of the most intelligent and well mannered students I have ever taught. I was quick to judge him before I really got to know him. I am almost ashamed to tell this story, but it was a learning experience and I now know not to judge too quickly.
Sunday, February 14, 2010
Pacing and Perspective
Changing Perspectives in South Africa
I had the privilege of living in South Africa in 2006 and I learned more than anything that it was a nation that was overcoming years of struggle with a positive attitude and uplifting spirit. When I came across a village with no electricity, no running water, and no plumbing; I could not help but focus on the negative. Then the principal of the local school told me that the school supplies he had ordered were stolen and to top it all off they had spent their entire budget on an outhouse which was destroyed by a storm earlier in the month. It was difficult not to feel badly for how little this community had, but I was told not to pity them, rather smile so that the children knew how much I cared for them. I was overwhelmed with their strength and positivity. That day I changed my perspective on the way I look at people and at life. My vision for the film was to create this same sense of a positive outlook as I had while experiencing African culture. I wanted to show a variety of pictures in two different ways to try and capture this idea of changing perspectives and attitudes. I thought showing the negative more common stereotypes would allow me to end the film on a positive note which was the goal of the film. I wanted to include many stereotypes of Africa and then disprove those ideas through the use of words, colors, and music.
I started the movie by carefully choosing the pictures I would use. Walter Murch discusses the importance of the editing process in his interview with NPR. He states “the editing process is tedious work -- viewing hours of footage, then assembling a film a half-second at a time.” I essentially did the same thing going through hundreds of photos I took in South Africa, choosing only those that were perfect for the film. I took what I learned about angles, shadows, rule of thirds, color, and subjects from our work with photography in module one. With these technical aspects in mind, the perfect photo was also one that was ambiguous enough to hold a negative and positive message. It was also a photo that was intimate and would capture the emotions of my audience. I also wanted consider Murch’s discussion of underlying mathematical influences. I decided to use a repetition of ten photos because I wanted my audience to be able to remember them. I aimed for seven photos which is the typical number of items that can hold in the human brain, but I wanted to convey several stereotypes. I also lived with a very religious family in South Africa who believed that the number 10 represented human failures and God’s ability to turn failure into achievement and happiness. Therefore I hoped ten photos would be not be too overwhelming for the audience and would have some spiritual connection to the film.
After the photos were selected I chose the words to accompany each photo. This was probably the most difficult part of the whole movie making process. I took some advice from Katalina Groh who wrote the Filmmaker as a story-teller. She suggested working with spontaneity and risk taking. I really took a risk by incorporating words in a visual way rather than in an auditory way. Because I wanted the pictures of the people to fuel the emotions of my audience, I chose not to have a voiceover, rather words that represented the photos. I wanted to chose two words for each photo that would make sense for the photo but that were also opposite in meaning. I needed words that were also quite powerful and would evoke emotions. In the end I chose a set of words for each picture that would make people honestly think about their perspective on people. This is why none of my photos are solely of landscapes or items. The photos are of people and each photo focuses primarily on one individual to capture the intimate moment. I also wanted the words I chose to connect with the people in the photo. I am emphasizing and drawing on emotions because Paul Hirsch describes emotions to be more important than thought although both should be included in a great film. To summarize, I wanted to include words and pictures in a strong combination to evoke both feelings and thought.
The last step in this process was putting the photos and the words together in a way that showed motion. I decided to put the photos in a specific order. I arranged them from the broadest stereotypes about a nation to a more narrow view of individuals. Then my last photo was meant to represent both; a nation in words and the individual with the picture of a pair of shoes. Then I added the middle slide where I wanted to make people think the most and realize that the next set of pictures were meant to change their perspectives. I then repeated the photos for the second half of the film. I used what I learned from my mistakes in last week’s project as well as what I learned from Katalina Groh. I wanted to lengthen the timing of each photo to at least five seconds. In the end I finalized the length of each photo to six seconds which I felt was just long enough to look at the picture and word. I kept each photo the same length to keep them equal and extended the title and credits to eight seconds. I chose to use mainly fade transitions to give the film a soft and professional look. The only transition from each photo that was not a fade was the transition before and after the mid-section slide. I did this again to emphasize the change in perspective. In terms of color, I wanted to make the first set of photos in black and white or sepia tone to give a darker negative look. I also made the words stand out in bold and red color because I thought this would also convey the negative tone I wanted to create. Then I contrasted the dark photos with the color photos to create a lighter more positive mood. I also found the rolling words across the colored photos to be very compelling. I chose brightly colored words to fill the space to again emphasize the contrast in moods. Finally I added the music which I thought would complete the film. I used authentic African music by Ladysmith Black Mambadzo. I wanted to again show the difference and change in perspective and mood with music. Therefore I used a calm solemn song for the beginning of the film and a more upbeat vibrant song in the second half. Walter Murch describes how the absence of sound makes a powerful statement. Thus I decided to include a pause in music for the transition between the two sets of photos.
I took on all of the jobs in making a movie and I realized how much actual work and time goes into every second. I learned a lot in this process including technology that I have never used before. I kept my final product and also the sense of changing perspectives in the back of my mind. In the words of Katalina Groh; I wanted my audience to really experience something. I hope that my audience is moved both emotionally and intellectually.
Sunday, February 7, 2010
Here is a link to the concluding scence of the first episode of the new series Flash Forward. I think this is a good example of the collaborative work that goes into a good piece of television. I find this series very compelling. I just wanted to share this clip with you to get your perspective and thoughts about compelling film and television.
Omission, Simplification, and Collaboration
Wednesday, February 3, 2010
Public Libray
This is the full video I made for Module One- Creating a Compelling Photo. It shows the process from the inital idea to the final photo and I thought that it would be important to add this with respect to my thoughts about creating a compelling photograph. I hope you enjoy!
Flexibility and Relevance
I came across another link or imaginary bridge between my experience with photography and teaching. The more photos I took the more I began to understand the complexity and difficulty of creating a compelling photo. It reminded my firstly that a meaningful lesson requires thought and perhaps more time. Secondly, I realized that the photos that were most compelling for me showed at least some level of intimacy. While reading Nancy Hill’s article Five Elements of a Great Photograph, I really took her advice to heart. She stated that a great photo must tell a story and say something about life. I really began to use the lens to tell a story instead of just shooting blindly. I also wanted to say something about life in my photo and as I stated on my facebook page, I felt like my final photo was the essence of a library. I was able to capture a photo of a book going into the hands of people. This photo was meaningful to me not only because it reminded me of all my fond memories of the library, but also because it represents something that I am passionate about. The feel the picture also symbolizes learning and literacy both of which I feel strongly about. I realized that when I am planning a lesson, it is crucial that I make the material meaningful to the students by making it more relevant. I may need to make the lessons more intimate, meaning that I get creative and start to form the lessons around students’ interests and strengths. My teaching will be better when I invest more time and research in the planning and am more flexible with assessments. This first module has challenged my confidence and technical savvy, but overall I have been reminded of very important lessons that educators should always keep in mind; have patience and self confidence, be flexible and adaptable, and make learning relevant for students.